Yurt Rock PRISM – Multiband Spatial FX Drum Plug-In (Download)

Split your drums like light. PRISM turns multiband processing into optics. Your full kit enters the glass as white light and leaves as four colors: Sub, Body, Crack and Air. Each band gets its own saturation, punch, tempo-synced echo, place in the stereo field and send to a shared room. Widening the cymbals while the kick stays mono, or throwing echoes off the snare's crack while everything else stays dry, takes five seconds, not five plug-ins.

The demo is the whole plugin. Every band, every control, all 200 presets, on your own drums, for as long as you like. The output mutes for a moment every 45 seconds until you activate. No card. No iLok. No countdown.

Play All 10 presets · scroll for more ↓Nothing playing How it works Put it on your drums. A loop, a drum bus, a single snare, or the whole kit. Split the light. PRISM divides your signal into four bands. The crossovers start around 110 Hz, 870 Hz and 5 kHz, and you can drag them anywhere on the live spectrum. They're phase-matched, so the bands split and recombine cleanly. Shape each color. Every band runs its own chain: Glow (Warm, Tape or Fold saturation plus a tone tilt), Punch (attack and sustain), Echo and Space. Switch any stage off to hear the band without it. Fan it out with DISPERSION. One control spreads the bands across the stereo field while the Sub stays locked dead center, so your low end never smears. Bend it with REFRACT. Violet light bends more than red, and REFRACT does the same to time. Each band arrives a little later than the one below it, up to 24 ms in total, turning a single hit into a spectral flam. Glue it back together. A gentle bus compressor after the bands, echoes and room pulls everything back into one kit. What's inside 200 presets in ten categories: Polish, Wide, Punch, Glow, Spectral Flam, Echo Trails, Dub, Space, Isolate and Lo-Fi. All level-matched, so stepping through them compares sounds, not loudness. Save your own: keep any sound as a user preset. They're files on your computer, shared by every DAW, easy to back up or pass to a friend. Four echoes: a tempo-synced delay on every band, from 1/32 to 1/2 note with dotted and triplet values, plus feedback, damping, ducking, ping-pong and a tape-style drift. One shared room: send each band into the same space by its own amount, with size, decay and tone. Width and pan per band: 0 to 200% width on Body, Crack and Air. The Sub is always mono. See where the energy lives: a live spectrum colored by band, and a prism whose rays light up with each band's level. Built for sessions: every control is automatable and MIDI-mappable from your DAW, with A/B compare, undo, Link Bands and zero latency. Audition loops