Overloud TH-U Rob Balducci Signature Pack Standalone and Plug-Ins (Add-On for TH-U Premium Owners, Download)

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Overloud TH-U Rob Balducci Signature Pack Standalone and Plug-Ins (Add-On for TH-U Premium Owners, Download) Overview

The Signature Collection of Instrumental Rock Virtuoso Rob Balducci
Assembled as the signature pack of instrumental rock virtuoso Rob Balducci, the TH-U Rob Balducci Pack from Overloud provides you with 32 individually modeled pieces of gear, all captured with the same depth and quality expected of Overloud’s TH-U rig libraries, but based specifically on Balducci’s go-to pedal, amp, and cabinet setups. These models range from tube-powered amp heads and multispeaker cabs to rackmounted FX and classic guitar pedals, and the pack also comes with 12 backing tracks of his most famous songs and 20 presets for the tones used in his songs.

Rob personally collaborated with Overloud to create many of these pristine models, including a new and unique Libra amp head and cab, delivering a total of nine amps, 10 cabinets of various configurations, three rack effects, and 16 stomp boxes, to cover everything from shimmering clean tones and fat, funky chords, to high-gain leads. This pack is available in AAX, VST, AU, and standalone formats and is compatible with most macOS and Windows computers.

Note:

This version of TH-U Rob Balducci Pack is an add-on only for those who already own an existing TH-U Premium license.
Special Features
Rob’s Amps and Cabs
This pack includes captures of Rob’s favorite amps and cabinets, including:

  • Friedman Smallbox 50 plus Brit 4×12″ cab with Creamback 75 speakers
  • Fender Bassman head plus 4×12″ cab with G12T-75 speakers 
  • Bogner Fish plus Bogner 2×12″ cab with G12M speakers
  • Bogner XTC plus Bogner 4×12″ cab with V30 speakers
  • SL0100 plus VHT 4×12″ cab
  • Mesa/Boogie JP2C Petrucci plus Mesa/Boogie 4×12″ recto cab
  • Mesa/Boogie Mark IIC plus Mesa/Boogie 2×12″ recto cab
  • Fender Twin Reverb with its 2×12″ combo speakers
Backing Tracks and Song Presets
This signature pack includes 20 patches designed by Rob himself for his own songs, as well as 12 backing tracks you can use to play along or practice.

  • 821 Monroe Drive
  • Amadeo
  • Child 6 22
  • Ciree3
  • Empress
  • Fear
  • Friction
  • Ring of God
  • The Queen of Cups
  • Trinity 
  • Twelve Twenty-Four
  • Violet Horizon
Control and IRs
3D Cabinet Simulation and Double IR Loader
TH-U offers a matrix of four microphones, which can be placed anywhere in the 3D space in front and behind the cabinet. You can also change the angle or pan them in the stereo space. Fluid Convolution allows you to move the microphones seamlessly and use long IRs to get realistic and solid tones without any interpolation or aliasing.

A double IR loader integrated into the cabinet module allows you to load and mix IRs with the cab microphones. The ReSPiRe 2 technology allows you to choose between the real response of the cabinet and a processed version optimized to fit into the mix; and you can choose between six different room types and 18 microphone models.

MIDI Total Control
Setting up a MIDI floorboard is as easy as clicking an element on the TH-U interface and pressing the corresponding pedal on the MIDI pedalboard. TH-U learns the MIDI connection and makes it instantly available in any preset. Gigs have never been so much fun as with TH-U.
Mobile Version Available
The All Metal Gears pack is also available for TH-U iOS as an in-app purchase. Just activate your desktop license and purchase to unlock the iOS version.
Complete Model List
RB Libra Lead
The RB Libra is the head designed by Rob Balducci for his main lead tones. It offers the kind of presence and sustain ideal for melodic instrumental rock solos. The picking attack is sharp and smooth, even at higher gain settings. It should be used in conjunction with its 4×12 Libra cabinet.
Darkface ’65 (US)
The Darkface ’65 is a superclean classic American tube amp. This amp found its way into various musical styles because of its ability to preserve the guitar’s natural tonal characteristics.

The amp was designed to stay clean at very high volumes. Try playing clean arpeggiated chords on this amplifier and you will understand why it has been used on so many records.

Fried Small50 Capture
The capture of the Friedman Smallbox 50 head and a Brit 4×12″ cabinet with Creamback 75 speakers.
Fend BassM Capture
The capture of the Fender Bassman head and a 4×12″ cabinet with G12T-75 speakers.
Bog Fish Capture
The capture of the Bogner Fish head and a Bogner 2×12″ cabinet with G12M speakers.
Sold100 Capture
The capture of the Bogner XTC head and a Bogner 4×12″ cabinet with V30 speakers.
Bogie JP2C Capture
The capture of the SLO100 head and a VHT 4×12″ cabinet.
Bogie Mark IIC+ Capture
The capture of the Mesa/Boogie JP2C Petrucci head and a Mesa/Boogie 4×12″ recto cabinet.
Robs Twin Reverb Capture
The capture of a Fender Twin Reverb with its 2×12″ combo speakers.
Robs XTC Capture
The capture of the Mesa/Boogie Mark IIC+ head and a Mesa/Boogie 2×12″ recto cabinet.
4×12 Libra
The 4×12″ cabinet, with Creamback 75 speakers, designed by Rob Balducci to be used in conjunction with his RB Libra head for his main lead tone. This cabinet emphasizes the frequencies that add a lot of clarity and definition for instrumental rock melodic solos.
4×12 Green (UK)
This 4×12″ guitar cab is modeled after a very famous British cabinet. It is most commonly used with heavier guitar tones. Because it is made of four speakers, it easily fills up the space of any room.
2×12 OB Darkface ’65 (US)
This 2×12” cabinet is perfect for clean tones and lead tones. It is voiced on the brighter side which is a great asset when trying to cut through the mix.

Being that this module has two 12” speakers, it makes your guitar sound more focused than a 4×10” cabinet. This makes the 2×12″ OB Darkface ’65 (US) particularly useful for solo work. It is a great choice for Blues, Jazz or Rock.

X-AC Boost
The X-AC model seeks to recreate the tone of an Xotic AC Booster pedal. It is a highly transparent overdrive, used as a principle gain stage for those who like an extremely organic distortion that cleans up when you roll off the guitar’s volume. The distortion it produces is warm and open and helps articulate the nuances of your playing.
X-BB Pre
The X-BB model seeks to recreate the tone of an Xotic BB Preamp pedal. Reminiscent of a tube amp breaking up, it is a great sounding soft distortion and sustain pedal that has a special place in Rob’s pedalboard.

It is extremely versatile, and it allows you to get a very wide range of tones. It works extremely well as a clean overdrive, or even something heavier, like a hard rock overdrive tone.

Pattern Delay
The Pattern Delay is an Overloud custom delay capable of producing over 65 different repeated rhythm patterns. Each rhythm pattern can be set to the tempo you determine thanks to the Tap function.

There are many uses for the Pattern Delay, from clean arpeggiated work, to single note melodic riffs. This module can run in mono or stereo. Use the Stereo Width knob to increase or decrease the width of the effect.

Room Reverb
The Room reverb is powered by Overloud’s BREVERB. This module simulates the reverberation you would get from playing in a small to medium size room. This type of reverb is very natural sounding and can be used in any musical styles.

Adding the Room Reverb to your guitar signal adds natural depth to your tone. This can make your guitar sound more natural and musical. Great for adding a bit more realism to recorded tracks.

Tape Delay
The Tape Delay is a classic delay designed by Overloud. In the early infancy of delay effects, the repetitions would be produced by recording and playing back an idea on a tape. This would produce a slightly altered sound to the repetitions as tape recording is not as accurate as what we would hear with digital recording.

The Tape Delay reproduces the sound played back through a tape. This type of delay is often considered warmer and more natural than what you would hear with a digital delay.

BeeDeeToo
The BeeDeeToo is modeled after a famous Blues overdrive pedal. Once activated, the pedal delivers a warm creamy overdriven tone perfect for blues. With the drive on lower settings, the pedal can act as a booster, which is great when trying to cut through a mix a bit better. Increasing the drive gives you a very musical overdriven lead tone. The pedal is great when you need to add a bit of character and dirt to your tone without going into full distortion.
7-Band GEQ
The 7-Band GEQ is modeled after a famous Japanese stomp box guitar effect manufacturer. This pedal is very easy to use. It offers seven adjustable frequencies without the complexity of certain studio rackmount equalizers. Each frequency can be boosted or cut by 15 dB. This gives you tons of flexibility and control over your guitar tones.

Adding the 7-Band GEQ after a distortion unit can also be very useful to eliminate unwanted noises by decreasing the higher frequencies. This is a must-have pedal for any guitar players wanting to shape their tone.

RSS Compressor
The RSS Comp is modeled after a classic vintage guitar compressor sought-after by collectors and tone chasers. The compressor adds warmth and sustain to your guitar tone. Increasing the sustain knob adds a slight bit of saturation to your clean sounds, giving players the feel of a warm tube amp.

Adding the RSS Compressor to your guitar effect rig can really make the difference and add a musical analog feel to your overall tone. When used in a lead guitar situation, the RSS Comp helps your notes sustain longer and feedback as they would when playing through a cranked-up amplifier.

CHR-2
The CHR-2 chorus is modeled after a very popular Japanese stomp box effect pedal released in the early ’80s. This pedal gives you a classic sounding chorus as heard on many classic rock records.

The CHR-2 works great with arpeggiated chords and does an excellent job at preserving your guitar’s original tonal character. This discreet sounding chorus is also perfect for clean tones. It enhances your sound without overcoloring your original tone.

D-Delay
The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and gives you a very clean and precisely processed signal.

The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right, which works wonderfully on clean arpeggiated sections.

D-Reverb
The D-Reverb is powered by Overloud’s BREVERB and produces beautifully musical digital reverberation. This effect offers a very pure echo to your sound that works in any musical situations.

Add to this effect to a clean arpeggio guitar section to make its more musical. Try it with an overdriven guitar tone to add more depth in space to your sound. The D-Reverb Is a very simple guitar pedal to use and makes any guitar tone sound richer.

Octaver
The Octaver is modeled after a famous Japanese guitar stomp box pedal. Enabling the effect doubles your signal an octave lower. This is great for heavy guitar riffs and adds an incredible synth-like tone to your musical lines. Adding the Octaver to a lead guitar solo helps it stand out in the mix.

This effect also works beautifully with clean tones. Try adding it to a single-note funk-rhythm motif for instant gratification. Use the Tone knob to shape the overall sound of the added octaves.

SDriveOne
The SDriveOne guitar overdrive is modeled after a very famous Japanese stomp pedal. It offers a super smooth and musical overdriven tone that does a fantastic job at preserving the subtle nuances of your playing.

The SDriveOne module is perfect for Blues and Rock. It adds a natural tube-sounding voicing to any guitar rig. Turning the Drive knob all the way up produces a heavy creamy sound reminiscent of British overdriven amps. This makes it great for punchy rock riffs or solos.

9-0′ PHASER
The 9-0′ Phaser is faithfully modeled after a very famous phaser stomp box made popular by the great Eddie Van Halen. This effect pedal works in many musical situations.

In front of a clean guitar amplifier, this phaser produces beautiful rich musical tones that flows with the rhythm of the song you are playing. Adding it in front of a heavy guitar amp naturally enhances certain harmonics to help your riffs cut through any mix. The 9-0′ Phaser is an excellent choice if you are into rock music. It produces a analoglike filter effects that enhance any guitar sections you put through it.

Rich Flanger
he Rich Flanger was modeled after a classic boutique flanger pedal. Adding this module your guitar rig produces rich, thick musical flanging sounds. The Rich Flanger effect is suitable for any musical style. Adding it in front of a clean amp complements any arpeggiated guitar section.

Matching the speed knob to the tempo of the song you are playing helps your guitar track fit nicely with the rest of the instruments. Adding the Rich Flanger in front of an overdriven guitar amplifier adds character and life to your guitar riffs.

Gate Expander
Eliminate unwanted noise and hum without altering your tone. A unique noise detection circuit, based on the combination of an expander and a noise gate, preserves the natural attack and envelope, leaving your playing and dynamics intact.
UniVibrato
The UniVibrato is modeled after a classic boutique vibrato peddle from the late ’60s found in pedalboards of many famous guitar players, including Jimi Hendrix. This module is capable of producing beautiful deep rich tones that adds life to any rhythm section.

Adding the UniVibrato in front of a clean guitar amplifier creates rotary-like tones that work particularly well with ballads and jazz. Adding the effect to an overdriven guitar rig produces a very pleasing lead tone that works in most musical situations where your guitar needs more depth and character.

Wham-Me
This legendary pedal is the premier pitch-shifting stomp for any guitarist’s board. Bring new depth to your artistry.

Turn your solo into raging, rebellious screams of tone, or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, or bring them in and out of the sound tunnel with musical bursts.

Cry Maybe
The Cry Maybe is modeled after one of the most famous Wah pedals in the world. This very simple effect is capable of producing the classic sound heard over countless classic records.

The Cry Maybe is comfortable in many musical situations. It helps your rhythm sections stand out. It also adds beautiful expression to your guitar solos.