Raising Jake Studios SubMassive Plugin (Download)

Demo Ducker – Random Audio Ducking Generator "Demo Ducker" is a cute little plugin that can help protect your work! Demo Ducker can be used to softly “watermark” your audio tracks with random dips in level that can help prevent others from using your work without your consent. Demo Ducker generates smooth, random dips in audio level with user-adjustable controls for period, duration and depth.

Utility and FX Plugins (44.1k-192k Sample Rates) VST2, VST3 and AAX – 64-bit Windows 8+ with OpenGL2 or higher graphics VST2,VST3, AU and AAX – Mac OS 10.11+ on Intel & Apple Silicon with Metal graphics Please try the 14 day free demos before purchasing.

True Mid/Side – Mid<>Side Channel Extractor Extract and control the Left, Center and Right channels of a stereo mix completely independently!

True Mid/Side is a unique plugin that extracts the true phantom center and true STEREO side signals from a stereo mix. Traditional “Mid/Side” processing is often a misnomer for what is technically “sum and difference” processing. In this traditional approach the “Mid” output is simply the mono sum of left and right (L+R) while the “side” output is the mono difference of left and right (L-R). Any signals panned hard left or hard right – which are actually pure “side” signals – will appear in both the Mid and Side outputs. Meanwhile, the “Side” output is a mono mix containing both the left and right sides. The stereo Side signals are separated to their respective Left and Right sides. All three resultant signals (Left-Center-Right) can be controlled independently. Signals panned to the center of the stereo mix (the “Phantom Center”) emerge ONLY in the Middle/Center output while signals hard-panned Left/Right in the stereo mix emerge ONLY in the Side outputs (and on the same side they appear in the stereo mix). True Mid/Side can be used to extract and render Middle/Center and Side stems from a stereo track or bus and can also be used in effects inserts and sends in your DAW during mixing and mastering for the ultimate stereo field FX and control. All outputs are directly usable – latency compensated and linear phase – and do not require re-encoding back to stereo. Also included is a “Spread” control that allows selection of the depth of the separation algorithm while multiple output pins are provided for DAWs that can support plugins with multiple I/O pins. What is “Power Mono” mode? A “mono” mix of a stereo track is typically just the left and right sides added together (also known as the “Mid” channel in traditional Mid/Side processing). This simple mix process changes the balance of the mix where center-panned sounds increase in level while ambience and other side-panned signals become reduced in level. True Mid/Side’s “Power Mono” mode produces a mono mix using true power summing that more accurately captures the balance and ambience of the source stereo mix. No matter where a sound is panned in the stereo mix it emerges in “Power Mono” at the same level (-3dB pan law). This process produces a significantly more accurate mono mix that retains the original source mix balance. “Power Mono” mode can be very useful when monitoring a mix in mono or to export high quality mono tracks for post production or other uses. Read Larry Crane’s review of True Mid/Side in Tape Op Magazine issue #150 here: https://tapeop.com/reviews/gear/150/true-midside-plug-in/

SubMassive – Sub-Harmonic Generator Because you can’t EQ what isn’t there!

The idea behind SubMassive is that "you can't EQ what isn't there". In the same way that harmonic exciters can be used to generate high end for sounds lacking high frequencies SubMassive can be used to generate low frequencies that do not exist in the source material. SubMassive works by synthesizing low frequency audio an octave below the source audio using a high quality pitch shift algorithm that has been optimized for low frequencies. The plugin uses audio information above the “Fill Below” threshold to generate audio information below the Fill Below threshold adding “weight” to the source signal. The new low frequencies are, therefore, harmonically related to the source audio and tightly coupled in timing accuracy. The generated LFE signal can further be adjusted to lead or lag the source signal allowing unique sound modifications. SubMassive can be used to: • Create super-huge low end in EDM mixes • Add "mass" to kick drums, snare drums and toms • Fatten lead vocals, bass and guitars • Generate an LFE channel for post-production video • Modify sounds using low end time shift effects