MORPH 3 is a real-time plug-in for audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object – for example, one face becoming another.

Super-charged with a selection of up to 11 different morphing algorithms, a style transfer and file playback module, transient bypass options, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 3 opens up a whole new universe of sounds to explore.

Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you’re a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings…look no further, MORPH is for you!

Features

A massive upgrade to the classic MORPH 2, MORPH 3 and MORPH 3 PRO extend the classic’s sonic bandwidth even further, adding new algorithms, a patent-pending real-time style transfer module, file playback, transient bypass functionality, a redesigned and scalable UI, and much, much more.

Heard on blockbuster feature films and shows, AAA+ games and state of the art music productions, MORPH takes two input sounds and creates a new, hybrid sound that features characteristics of both, and that can smoothly transition from one to the other. Creature voices, alien hardware, futuristic ambiences, unique new instruments – you name it, MORPH has you covered.

What’s New in MORPH 3

• 4 New morphing algorithms: INTERWEAVE V3, IMPRINT SMOOTH, IMPRINT CRYSTAL, ENHARMONIC. The entire suite of V2 algorithms is included, too, of course, for a total of 9 algorithms.
• New MODELER module that provides particle/granular synthesis based style transfer functionality, as well as straight file playback.
• Improved FORMANT SHIFTER with +-24 semitones of range; the v2 formant shift algorithm can be activated for the v2 algorithms to get the exact same v2 sound, using a prefs setting.
• New TRANSIENT BYPASS module that can significantly improve the morphing results. The transients are taken at the A and B inputs to the morphing, and added back in, with their mix controlled by the morphing X/Y control. The transients can be boosted, and may also bypass the formant shifter for increased crispness.
• Optional internal double precision processing – internal processing can be switched to 64 bit for increased resolution.
• New soft-knee output limiter.
• Redesigned, scalable UI with interactive-signal-flow-diagram design, built using vector graphics for sharp visuals when zooming, with up to 200% UI scaling for 4k and larger displays.
• New Preset Manager application.
• Previous/Next Preset can now be controlled via MIDI for improved accessibility.

Additionally, MORPH 3 PRO adds:

• 2 additional algorithms, FUSION and SONANCE, for a total of 11 algorithms.
• A multi-zone mapping editor and additional analysis features for advanced control of the MODELER module.
• An additional DETAIL algorithm for the TRANSIENT BYPASS module.
• Lowcut/highcut filters for all mixer channels.

System Requirements

Windows

• Windows 10 or newer
• CPU with at least 2 Cores; Intel CPU recommended, i7 or better recommended.
• Steinberg VST 2.4, VST 3 or Avid AAX compatible 64-bit host software, processing audio as 32 bit float.
• iLok.com account for machine- or iLok 2/3 based activation (of full as well as demo versions)
• Internet Connection for Software Activation (though not necessarily on the computer used for audio)

Mac

• macOS 10.15.x or newer, 64 bit.
• Apple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended).
• Apple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid AAX Native compatible Host software, processing audio as 32 bit float.
• iLok.com account for machine- or iLok 2/3 based activation (of full as well as demo versions)
• Internet Connection for Software Activation (though not necessarily on the computer used for audio)